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DLfM '24: Proceedings of the 11th International Conference on Digital Libraries for Musicology
ACM2024 Proceeding
  • Editor:
  • David M. Weigl
Publisher:
  • Association for Computing Machinery
  • New York
  • NY
  • United States
Conference:
DLfM 2024: 11th International Conference on Digital Libraries for Musicology Stellenbosch South Africa 27 June 2024
ISBN:
979-8-4007-1720-8
Published:
27 June 2024

Bibliometrics
Abstract

No abstract available.

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short-paper
Direct Labelling of Form of Classical-Period Piano Sonata Movements From Audio Recordings

Musical form is defined as the overall structure of a music piece. The labelling of musical form types (for the purpose of, e.g., querying online music databases) by utilizing raw audio alone is a relatively unexplored area in the field of music ...

research-article
Acoustic Classification of Guitar Tunings with Deep Learning

A guitar tuning is the allocation of pitches to the open strings of the guitar. A wide variety of guitar tunings are featured in genres such as blues, classical, folk, and rock. Standard tuning provides a convenient placing of intervals and a manageable ...

research-article
Open Access
Svara-forms and coarticulation in Carnatic music: an investigation using deep clustering

Across musical genres worldwide, there are many styles where the shortest conceptual units (e.g., notes) are often performed with ornamentation rather than as static pitches. Carnatic music, a style of art music from South India, is one example. In this ...

research-article
(Re)capturing the Emotional Geography of Lost Music Venues: A Case Study of the Willow Community Digital Archive

The loss of many high-street music venues in recent years has highlighted their connectedness to place and communities. Understanding the emotional geographies of these venues, as experienced by their patrons, is key to explaining the outcry that can ...

research-article
Open Access
Popular musical arrangements in the nineteenth-century home: A study of The Harmonicon supported by digital tools

Musicologists often remove all traces of the scaffolding used to construct their scholarship at the point of completion – presenting information about bibliographic and evidential sources, but not describing the tools and digital resources used. This ...

short-paper
Open Access
Open Edirom: From hybrid music edition to open data publication

The OPEN Edirom project is developing a digital edition of incidental music for Goethe’s play Faust, representing an innovative initiative within the realm of music philology and MEI/TEI edition. Embracing the "data first" principle, OPEN Edirom ...

research-article
Open Access
A Preliminary Proposal for a Systematic GABC Encoding of Gregorian Chant

In the last years, several approaches have addressed the encoding of the different music scripts used for plainchant. One of these approaches is the GABC format. While being a comprehensive symbolic representation of square notation, the lack of a ...

research-article
Navigating the RISM data with RISM Online

In 2021, the RISM Digital Center introduced RISM Online. This represented a shift in how we present the RISM data to a global audience, supporting new methods of digital research and keeping the RISM project central to modern music scholarship. RISM ...

short-paper
FACETS: A Tool for Improved Exploration of Large Symbolic Music Collections

Large collections of symbolic music documents need efficient information retrieval tools. We introduce FACETS, a versatile tool for exploring and management of such collections. FACETS is a scalable and flexible content-based search engine, offering ...

short-paper
Open Access
JazzDAP: Collaborative Research Tools for Digital Jazz Archives

This paper introduces a novel web platform designed for exploration, analysis, and collaboration in the jazz music domain called JazzDAP. Our platform integrates advanced music information retrieval techniques with user-friendly interfaces, tailored for ...

short-paper
An Online Tool for Semi-Automatically Annotating Music Scores for Optical Music Recognition

The paper describes an online tool, OMRAT, for semi-automatic annotation of music scores for Optical Music Recognition (OMR) systems. OMRAT uses deep neural networks, machine learning, and music notation ontologies at different stages to respectively ...

Contributors
  • University of Music and Performing Arts, Vienna

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Acceptance Rates

Overall Acceptance Rate 27 of 48 submissions, 56%
YearSubmittedAcceptedRate
DLfM '18271452%
DLfM '17211362%
Overall482756%